![]() ![]() Peabo Bryson and Regina Belle pop duet version "A Whole New World (Aladdin's Theme)"įrom the album Aladdin: Original Motion Picture Soundtrack, Passion, and Through the Fire The music video featuring Zayn Malik and Zhavia Ward was directed by Philip Andelman, photographed by David Devlin and supported the successful release of the 2019 live-action feature film Aladdin directed by Guy Ritchie. Zayn Malik and Zhavia Ward did their version of the song for the end credits. Mena Massoud and Naomi Scott performed the song in the live-action version of Aladdin (2019). In the same year, the version sung by Peabo Bryson and Regina Belle was also nominated for Record of the Year and Best Pop Performance by a Duo or Group With Vocals, winning the latter. ![]() "A Whole New World" also won the Grammy Awards for Best Song Written Specifically for a Motion Picture or for Television at the 36th Annual Grammy Awards, as well as Song of the Year, the only Disney song to do so (as of 2023). The song garnered an Academy Award for Best Original Song at the 65th Academy Awards and a Golden Globe Award for Best Original Song at the 50th Golden Globe Awards. Lyrically, "A Whole New World" describes Aladdin showing the confined princess a life of freedom and the pair's acknowledgment of their love for each other while riding on a magic carpet. A duet originally recorded by singers Brad Kane and Lea Salonga in their respective roles as the singing voices of the main characters Aladdin and Jasmine, the ballad serves as both the film's love and theme song. “At least, it would prevent filmmakers from hurting someone unintentionally." A Whole New World" is the signature song from Disney's 1992 animated feature film Aladdin, with music by Alan Menken and lyrics by Tim Rice. “I hope this is the start of a process where filmmakers will consult with specific groups” in the development and production process, Bustany said. Studio officials said the ADC was told during the meeting that Disney had weighed input from the ADC and other organizations and already decided to change the lyric in “Arabian Nights.” In fact, ADC members had already been vocal critics of the pic.įurthermore, Disney disputes Bustany’s version of the events of the meeting. The changes would require expensive rewrites, remixing of sound and reanimation of the movie - an unrealistic business and artistic proposition for Disney.Īt a second meeting, a week later, Bustany said Disney offered a deal: It would change the “Arabian Nights” lyric if the ADC would not take its objections to the press before the October homevid release. communications professor Jack Shaheen and deejay Casey Kasem, the ADC asked for changes in the lyric and elimination of what they see as discriminatory accents, and that a scene of a merchant trying to lop off Princess Jasmine’s hand be cut out. In fact, Disney employed a number of Arab scholars and consultants.Īt a May 26 meeting among distribution prexy Cook, VP publicity Terry Press, ADC national prez Albert Mokhiber, regional director Nazih Bayda, Southern Illinois U. “There was no consideration given to how this would affect people of Arab origin,” Bustany said. Singer Brian Adler recorded both versions of the song, so Disney just dusted off some old master recordings to make the switch.īustany said the lyric changes are an olive branch offered by Disney after the ADC began to question “Aladdin’s” racial balance. ![]() ![]() The new lyrics, also penned by the late Academy Award-winning lyricist Howard Ashman, will be placed on the homevideo version of the movie, to be released Oct. Ironically, the majority of the townspeople in the movie are actually caricatures of Disney producers, directors and animators. “The irony in all of this is that this is the first movie in years where both the hero and heroine are Arabic, and both are obviously terrific role models, not just for Arabs but for everybody.”īustany said, “Probably the most demeaning thing to Arabs is that all of the townspeople, the merchants and guards and soldiers are depicted as mean and cruel.” Not so, said Disney distribution prez Dick Cook. “Can an Arab-American child feel good after seeing ‘Aladdin’? The answer is no.” “Every American child has a right to grow up feeling good about himself or herself,” said Bustany. The ADC official also leveled objections to the generic American elocution used by such favorable characters as Aladdin, Princess Jasmine and the benign Sultan.ĭisney countered that the really bad guy in “Aladdin,” Jafar, speaks with an English accent, while his conniving parrot, Iago, has a Brooklyn accent. The revised lines are: Where it’s flat and immenseĭon Bustany, president of the Los Angeles chapter of the ADC, said the two-line rewrite is not enough to reverse racism that the org sees depicted in the movie. ![]()
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